valium chemical name I first began to study Nantwich’s rich Civil War history a few years ago when I realised, through an interest in genealogy, that half my ancestors came from the town. It did not take me long to realise that the story surrounding the Siege of Nantwich was a tale worth telling. But I didn’t just want to write a local history book.

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http://www.arcsno.org/is-viagra-bad-for-women/ is viagra bad for women My aim was to take the Battle of Nantwich and use it as the accurate and detailed framework for a fictional murder mystery novel. The idea was to create a “what-if” scenario that challenged the reader to identify which parts of the story really happened and which were the figments of my imagination. The irony, of course, is that all history is recorded by eye-witnesses, who themselves may have been biased or had political agendas of their own.

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http://www.arcsno.org/test-done-on-viagra/ test done on viagra This got me thinking about how I should portray the real historical figures within my novel. Should the author adhere to the recognised character image of well known historical figures or should he allow himself free reign to develop characters as he sees fit, especially when set against a background that is detailed and historically accurate? How far should the author go in portraying more obscure historical figures or common folk whose names also happen to be recorded in historical documents, and what impact does this have on the perceived authenticity of a work of fiction? These are some of the issues I wanted to explore when writing The Winter Siege.

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levitra ohne wirkung In casting The Winter Siege I wanted to avoid falling into the trap of making my main protagonist one of the main historical figures involved in the battle. I wanted the reader to feel an empathy with the real common folk who were trapped in Nantwich during the siege, so I cast Daniel Cheswis as a middling sort of tradesman who gets caught up in the upheaval of the siege. I also wanted to make the best use of the environment created by the siege, which it seemed to me, provided me with the ideal kind of closed environment for a murder mystery in the best traditions of the genre. I therefore decided to write most of the book in the first person, but split up the text with third person narratives about what was going on outside the town at the time, with the aim of tying everything together at the end.

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cymbalta dysthymia So what about the historical characters? The main historical figures involved in the Battle of Nantwich were Sir Thomas Fairfax, Sir William Brereton, John Lord Byron and Colonel George Booth. However, my main aim was to create a sense of history as Cheswis would have seen in, so, with the exception of Booth, who was the garrison commander and therefore in the same boat as Cheswis, I decided to use the prominent people involved in the battle as historical markers and relatively peripheral figures to the main story, who nonetheless had some small connection to the fictional storyline and therefore had some relevance to Daniel. I also did this with a number of less prominent military personnel such as Lothian, Sandford and Connaught, the last two’s exploits in particular being relatively well documented locally because of their respective roles in the daring capture of Beeston Castle and the bloodthirsty massacre at Barthomley, both real events which I decided needed to be weaved into the murder plot in some way.

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http://www.arcsno.org/kamagra-gel-dejstvo/ kamagra gel dejstvo To add authenticity to the murder storyline itself, I decided to include a number of prominent local people such as Thomas Maisterson, Randle Church, Lady Norton and the two Roger Wilbrahams and still closer to the action, I decided to use the names of some other real people as key characters within the plot – so the Davenport family really did exist as did a heroine called Brett, whilst the town bellman in 1643 really was called Alexander Clowes.

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http://www.arcsno.org/ibuprofen-burns-stomach/ ibuprofen burns stomach So there are your characters, but what of the action? How many of the events portrayed in The Winter Siege really happened and which storylines and sub plots are invented by me? That, I’m afraid, is the point of history. It’s for you, the reader, to decide.

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1 Comments

  • August 25, 2015 Reply

    http://www.arcsno.org/buying-viagra-online-forums/ buying viagra online forums Stuart G Yates

    http://www.arcsno.org/robber-fed-viagra/ robber fed viagra Interesting article. It’s something of a hurdle to clear, isn’t it, because we all know how many ‘real’ historians are waiting out there, to bring us down! I believe the key is, we write fiction. We’re not writing a piece of research; we have to blend the real events with those of our imagination and this where the skill of the novelist comes in. My historical work feature more than a mere bystander, or minor player. Harald Hardrada forged the age in which he lived, a giant of the period, he was feared and adored in equal measure…but finding out about him is actually not that easy. We have the sagas, but little else from the period. Most of what we know about him was written long after his death and in some ways this has aided me a great deal. I’ve woven in an array of sub-plots into his story (which will run to 5 volumes once it is finished; I’m on the 4th, the 3rd is due out any week now!) and I hope I’ve done him justice. But whether he be a bit player, or a team leader, the characters we create out of the past must be believable, they have to be human. History does not tell us very much about the emotions these people experienced, nor the private conversations they had. That’s where we come in. We entertain, we don’t educate. Readers pick up our book to have a good time, perhaps learn something new, but overall to enjoy. Just like we enjoy writing these tales! Good luck with everything; I really enjoyed this post.

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